COdA started in 2017. It is an internationally distributed DIY fanzine, music label and text publisher made for and by artists, musicians and writers.

COdA staggered to life as a free fanzine containing sinister gig reviews, dystopian comics, interviews and surreal writings. By 2018, COdA was producing records, prints, concerts, novels and comics, all through collective action and DIY craft by artists scattered about the globe.

Instead of focusing on a specific style or genre, COdA tries to make connections within and throughout the underground’s alternative, weird and experimental cultures.

COdA is mainly active in Europe organizing events in mountain tops, warehouses, beaches, tunnels, river beds, palladian villas, squats, independent venues, abandoned buildings – wherever Temporary Autonomous Zones effloresce.

A COdA show is a radical situationist eruption, a gathering of people, art and sound beyond words: punk, noise, tekno, grindcore, industrial, improv jazz, rocknroll, fluxus, powerviolence, field recordings, weird folk, ambient – especially wherever the environment itself plays an important role in making and listening.

COdA supports formlessness, extreme culture and autonomous bodies.